8/23/2023 0 Comments Phantasmagorian dredge modernHuygens' 1659 sketches for a projection of Death taking off his head His pupil Gaspar Schott later turned this into the idea that it could be easily used to keep godless people from committing many sins, if a picture of the devil was painted on the mirror and thrown onto a dark place. Athanasius Kircher warned in his 1646 edition of Ars Magna Lucis et Umbrae that impious people could abuse his stenographic mirror projection system by painting a picture of the devil on the mirror and projecting it into a dark place to force people to carry out wicked deeds.Giovanni Fontana's 1420 drawing showed a lantern projecting a winged female demon.The earliest pictures known to have been projected with lanterns were Death, hell, and monsters: The image of an assistant with a devil's mask was projected through a lens into the dark room, scaring the uneducated spectators. In his 1613 book Opticorum Libri Sex, Belgian Jesuit mathematician, physicist and architect François d'Aguilon described how some charlatans cheated people out of their money by claiming they knew necromancy and would raise the specters of the devil from hell and show these to the audience inside a dark room. The image should be projected onto a sheet hanging in the middle of the nascent dark chamber, where spectators wouldn't notice the sheet but only see the projected image hanging in the air. A picture of anything that would terrify the beholder should be placed in front of a camera obscura hole, with several torches around it. In the 1589 version of Magia Naturalis, Giambattista della Porta described how to scare people with a projected image. By the 16th century, necromantic ceremonies and the conjuring of ghostly apparitions by charlatan "magicians" and "witches" seemed commonplace. Some ancient sightings of gods and spirits are thought to have been conjured up by means of (concave) mirrors, camera obscura, or magic lantern projections. History Prelude (before 1750) Giovanni Fontana's drawing from circa 1420 of a figure with lantern projecting a winged demon De Philipsthal and Philidor are believed to have been the same person. De Philipsthal's show of optical illusions and mechanical pieces of art in London in 1801. The English variation Phantasmagoria was introduced as the title of M. Phylidor had previously advertised his show as Phantasmorasi in Vienna in March 1790. The letter also promoted Phylidor's show. About two weeks earlier the term had been the title of a letter by a certain "A.L.M.", published in Magazin Encyclopédique. Paul Philidor (also known simply as "Phylidor") announced his show of ghost apparitions and evocation of the shadows of famous people as Phantasmagorie in the Parisian periodical Affiches, annonces et avis divers of December 16, 1792. Etymology įrom French phantasmagorie, from Ancient Greek φάντασμα ( phántasma, “ghost”) + possibly either αγορά ( agorá, “assembly, gathering”) + the suffix -ia, or ἀγορεύω ( agoreúō, “to speak publicly”). The word "phantasmagoria" has also been commonly used to indicate changing successions or combinations of fantastic, bizarre, or imagined imagery. The shows started under the guise of actual séances in Germany in the late 18th century and gained popularity through most of Europe (including Britain) throughout the 19th century. Such elements as required fasting, fatigue (late shows), and drugs have been mentioned as methods of making sure spectators would be more convinced of what they saw. Some shows added a variety of sensory stimulation, including smells and electric shocks. ![]() In many shows, the use of spooky decoration, total darkness, (auto-)suggestive verbal presentation, and sound effects were also key elements. Mobile or portable projectors were used, allowing the projected image to move and change size on the screen, and multiple projecting devices allowed for quick switching of different images. ![]() info)), alternatively fantasmagorie and/or fantasmagoria was a form of horror theatre that (among other techniques) used one or more magic lanterns to project frightening images, such as skeletons, demons, and ghosts, onto walls, smoke, or semi-transparent screens, typically using rear projection to keep the lantern out of sight.Phantasmagoria ( American pronunciation ( help ![]() Form of theatre that includes the use of magic lanterns Interpretation of Robertson's Fantasmagorie from F.
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